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These excursions into rougher areas were all the more jarring because of the setting, where viewers used to cackling audiences wooing over the appearances of the wacky neighbor suddenly found themselves faced with sexual abuse, teenage pregnancy, and death by drunk-driving, all played out in front of a live studio hush.

Characters who'd barely had to emote further than shrugs of exasperation were suddenly left upset or afraid, leaving you trapped in the terrible no-man's land of feelings, with no laugh track to cling onto.

“He’ll find out when I pull the trigger.” Like the other songs on Lambert’s Crazy Ex-Girlfriend, “Gunpowder & Lead” presents her as a kick-ass chick with a hair-trigger temper—definitely not the type an abusive man should come home to when he makes bail.

She does a sweep of the rooms before stopping in her tracks in the lower floor of the house where a discarded heel lays on the living room floor.

Officer Melissa wakes up on the bed in the same room to Mr. He straps her naked body to the bed posts with a pair of nylon stockings, impossible bonds for the weak rookie officer to break, and puts his belt around her neck in an act of breath play, he plays a game where he cuts off her breathing, only giving her gasps every now and then. John begins shoving his cock to the back of her throat again making her gag until she passes out from lack of air, her lean body slumps against the bed, drool dribbling out of her open mouth. He uses them to stroke himself, her delicate limp fingers glide over his cock and balls. He lays her back on the bed and begins fucking her hard, pounding her little pussy. He sticks his cock back inside her and fucks her on her side before moving down and fucking her feet. From 30 something district attorney to the girl that could have been her daughter. He rammed her tight virgin (was) pussy until he tired of that position, then he flipped her over and fucked her missionary. He flipped her back over and stuffed his 9 inch cock in her tiny little ass.

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but as she says, “outside of that, he’s all right with me.” By the end of the song, where she’s calling him a dirty thief and he’s knocking out her teeth, the irony is getting pretty thick, and the song is beginning to sound less like a bluesy love song and more like a backhanded slap at women who choose to stay with men who give them backhanded slaps. Ella Fitzgerald and Louis Jordan, “Stone Cold Dead In The Market (He Had It Coming)”Ella Fitzgerald and Louis Jordan scored a popular hit in 1946 with their calypso number “Stone Cold Dead In The Market,” about a woman who publicly kills her drunken, abusive husband, either with a frying pan, a cookpot, or a rolling pin, depending which verse you believe.