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In the contemporary US that Fincher portrays with such satirical relish, reputations are made and destroyed on social media and TV chat shows.

Guilt and innocence are not only to do with what murderous misdeeds you may have committed but with the image you present.

(2012.) It is set in a present-day world in which, as Flynn writes, people no longer “read things on paper.” Flynn’s runaway success proved that books do still sell (sometimes) and made it inevitable a film would soon follow. This is a whodunit - and the key to the mystery is already possessed by Flynn’s many readers.

Thankfully, David Fincher’s bravura new film turns out to be a literary adaptation custom-made for the digital age.

Here are two films about murder and marriage—do they go together like a horse and carriage?