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meanwhile, trades in most of the blood and gore for humour, while retaining Bates' quirky characters and dialogue. We need tits, we need tits." You don't know how big of a fight it was for me, having to meet anyone I had to meet, about how there cannot be sex in this movie. Can we expect a very long gag reel on the DVD release? I want everyone, everywhere to connect with my films, but right now Europe seems to enjoy the stuff I'm putting out much more.
Bates' style is unmistakable, and he's surely on to something with his latest blend of horror and comedy. I had this overwhelming feeling of innocence about it, even when it got crazy. I was testing things, trying to stay with innocence. The furthest it could go was one dude masturbating. I think you made that very clear in that scene where Kat Dennings tells Matthew Gray Gubler, "stop looking at my tits." It drove the message home that there wasn't going to be any sex in this movie. You had to feel, even as an adult watching it, that you're a kid again. I took a red-eye flight for the screening, and I was trying to outline the script on the flight, but I was a bit too pressured. I would love that, because I have so much good stuff.
I had the opportunity to meet with Bates after the premiere to discuss I was very happy. I had to go outside and check it out, because I was having an anxiety attack. What I have to do − what I put a ton of work into − is keeping that vision the same throughout. I think film is going in this direction, and I think that most films, one day, will be like this, with a little influence from everything. I wouldn't say that doing it one way is better than doing it another way. The idea is just to have your heart on your sleeve, bring an authenticity, and be so genuine, pure and innocent about it. A dude jerking off made sense to me while being in middle school. The characters are larger than life, but you can still relate to every one of them. There are so many more things we can do with film that we haven't even tried yet. Whatever you want to call it, I guess it's a mash-up of other genres. It's easier for me to do darker material when I'm happy. If you enjoyed you would get a real kick out of a gag reel. It's my job to make it tight for pacing, but it kills you to cut scenes.
When you make independent films, you're not doing it for the money. The viewers enjoyed having the opportunity to mingle with you and the cast after the premiere and find out about the process of making which is a great thing about attending movie festivals. If you're going to work with a lot of genre, you have to keep the tone. There is no "better." It's what I like, and at the end of the day, all I can really do is make films that I would want to see. I just make them for myself, and I have to trust that there is a bunch of other people like me out there who will watch it; enough of them that I'll be able to have another one made. I didn't have a girlfriend going through middle school. They're all endearing in some way, even the father. So I really wanted everyone to be his or her own character. To some degree I made it because this is the kind of movie I wish we had when I was in high school. I don't think anything should just be about one thing. There are a lot of movies out there where a teenager interrupts his parents' intimacy. I have had a few meetings, but I've never been able to presale some scripts.
My best advice to actors is if you love acting, do it every chance you get. All that matters is whether or not you're doing your best to entertain.